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The Grizzly Gazette

The Grizzly Gazette

The Grizzly Gazette

The Pink Predicament

Pink, a color that is frequently connected with sensitivity, love, and femininity has had a difficult history within the media. Its depiction in popular culture has an adverse tone, reinforcing prejudices and preconceived notions. This has an enormous effect on how society perceives women as a whole. 

Pink grew to be associated with villainy in Hollywood during the 2000s, especially in chick flicks. These depictions frequently equated feminine characteristics and suggestive clothing with superficiality and vanity, supporting the belief that femininity and success can’t coexist.

A prime example of this pattern would be Regina George since she is the archetypal antagonist in the movie “Mean Girls”. She is often referred to as the “Pink Queen Bee”, considering that she is represented by the color pink. 

As a result, the color is often portrayed as a symbol of negativity and harshness, which she uses as an allegory for her own moral and emotional shallowness. The color in this case is twisted to personify her superficial and cunning personality. 

The idea that women must give up their femininity to be viewed favorably is reinforced by the contrast between her stunning beauty and the plain, bookish Cady Heron. 

Cady Heron, Regina’s rival, serves as the epitome of the opposing qualities that society values in women. She is depicted as reserved, focused, and seemingly ignorant of her own beauty, thus, she fits the stereotype of the traditional Plain Jane that viewers are encouraged to support. 

But as a result of her connection with Regina, Cady is forced into “girl world” and she goes from being a smart, introverted person to catty and narcissistic. This drastic change is visually depicted by Cady beginning to wear pink more often. 

At the onset of the film, Cady is timid and sweet, she doesn’t even own a pink shirt and has to borrow one from her gay friend Damian. As the film progresses, she starts to wear more and more pink, and in the final version of herself that is all she adorns.

The concept that cinematic women can not be both feminine and successful members of society is highlighted by this abrupt change in her demeanor. Instead, they are constrained by rigid, outdated expectations of what women ought to do.

Media perpetuates that characteristics associated with women, such as empathy, sensitivity, and emotion, are intrinsically linked to negativity by relating femininity with villainy. This has even bigger implications for society’s views on women. 

Pink, once a symbol of femininity, is now linked to flimsiness, triviality, and even cruelty, enforcing the idea that girls who embrace the color are inherently boring. 

This trend continues in “High School Musical”, which favors the nerdy, quiet Gabriella Montez compared to the manipulative Sharpay Evans, who is known for her all-pink wardrobe. Such distinctions imply that the world is black or white–or better yet–pink or not. 

By reinforcing negative preconceptions and expectations, these representations have an effect on how society views women. 

The stereotype that embracing femininity is a sign of weakness is perpetuated by these portrayals, which restrict women to male-alluring tropes. 

The problem is made worse by the “not like other girls” cliché, which demonizes feminine-centric pursuits. It’s time to disprove these clichés and honor the diversity of womanhood. 

Women don’t have to give up their feminine qualities in order to succeed, and femininity can embrace a wide range of personalities and expressions. This insight necessitates a change in how we view and value womankind in the media and in society, realizing that it contributes depth and character rather than determining one’s value.

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